Review by Joey
Genre/s: Synthpunk, Industrial, Post-Punk, Power Electronics, Dark Ambient, Art Punk, Noise Rock
For Fans Of: Nervous Gender, Clair Obscur, Trop Tard, Flipper
Plastic’s 2.0 tape was, in my opinion, one of the best synthpunk releases to come out since Nervous Gender’s Music From Hell LP; and also one of the few which I feel actually can be compared to Nervous Gender, based on their use of synth-based electronic noise (not to mention a healthy dose of influence from The Residents). Hell, I’d go as far as to say that Plastic is one of the best synthpunk bands since Nervous Gender, period.
On this newest offering from Chicago’s weirdest, their heavier use of industrial/electronics, paired with a descent into much darker post-punk territory, results in a level of bleakness which is as suffocating as the band’s music is irresistible. While its predecessor is ostensibly more aggressive musically, the crushing dirges and almost stark soundscaping on Plastic effectively conveys despair and disillusionment so overwhelming that it becomes mesmerizing, and absolutely conducive to disassociation. These songs bear a striking resemblance to those performed by Flipper, not just in the crawling pace, the use of chilling, ironic laughter, and snide, painful delivery, but also in the way that they sound the way depression feels — although obviously the addition of synth creates a good deal of dissimilarity. The ability to fully capture that state of being, in my experience, is elusive to say the least. If I had to make a visualization of the sounds contained on this release, it would closely resemble the ominous, harsh background of a Dali painting. Needless to say, this release floored me, and I’m hoping they tour around my way again this year; and if they come anywhere near you, I highly recommend going to see them.
Download this, turn your lights off, and get bummed the fuck out. Nothing here is real.
1. At The Gates
2. A Good Laugh
4. Untitled (Mark II)
5. A Call For Help
7. The Garden